The Yes Photographies Summer 2026 Site Overhaul!
Hello everyone,
Like every summer, I use the summer break to overhaul my site, which keeps living thanks to you. I took stock of the year, honestly looking for the strengths and weaknesses of my approach. These are the great summer works of my site for 2026!
Here’s what has changed.
1 · Galleries that are finally comfortable, the most important of my site’s 2026 summer works
This had to be fixed. Some of my galleries held up to 1,200 photographs in one go. Loading dragged, you got lost along the way, and the pleasure of looking disappeared somewhere in the middle.
The whole site now runs on a new system: large galleries are cut into sets of about a hundred photographs. You move forward in stages, easily find where you left off, and keep the thread.
It sounds technical. It is in fact what changes your visit the most.
2 · An artistic tone
I went back over all the texts on the site, from the first word to the last. The vocabulary of the shop gave way to that of a place you visit: a Public Collection, exhibitions, a Reserve.
The site now tells what I have been doing for fifteen years: photographing the feminine in all its facets, the fairy and the wild woman, softness and power, grace and desire.
3 · Passes become tickets
Words matter. You take a ticket for an exhibition, as you step into a gallery.
The €19 ticket opens the four current themed exhibitions — this week’s and the three before. About 250 photographs, all gathered around a theme. It is a way of visiting my Reserve with an editorial angle: I go down into my archive, I choose, I compose.
The €7 ticket opens a single exhibition of the week. For those who want to look at one thing, quietly.
4 · Patronage: €180 for three months
Three months give you time to cross the entire Reserve, its ten rooms, without rushing.
The ten rooms
Archives of My Early Days The first traces of a photographic language still being born. My first explorations, when the studio, light and photomontage gradually became a territory of creation. The aesthetic is spontaneous, sometimes naive, and already inhabited by the desire to turn photography into story.
Studio Immersions Entering the laboratory where light, the body and the idea take shape. Photography is shown here as close as possible to its making. Sets, materials, gestures, props and lighting variations reveal the patient work that precedes the final image, and the trust built with each model.
4K Gallery Images chosen to be looked at in all their precision. The richness of detail, the sharpness of materials, the quality of the light. This room invites you to slow your gaze to observe the textures, expressions and retouching subtleties that make up each photograph.
Eroticism and Sensuality Sensuality as presence, tension and the language of the gaze. A freer photography, where desire advances with elegance, confidence and staging. The body is a sensitive, expressive, fully embodied presence.
Body and Essence When the body stops representing and becomes matter, line and light. Drapery, shadows, fragments, skin, water and materials turn the body into a plastic territory. These photographs bring out an essential form, between sculpture, abstraction and human presence.
Myths and Legends Ancient figures reinvented to bring new imaginaries to the surface. Goddesses, heroines, creatures and symbolic figures cross this room. Each series draws on myths, tales and archetypes, and moves them into a personal, contemporary world.
Echo of the Past The past never returns intact: it is transformed in the present gaze. A dialogue with painting, old photographs, black and white and collective memories. I look there for the vibration of an era, its softness, its shadows and its imaginary traces.
Emotions and Connections Images where the encounter matters as much as the composition. Gazes, gestures, bonds, movement, letting go. The model’s presence, their emotion and the quality of our meeting become the centre of the image here.
Future Imagining the women and worlds that do not yet exist. Possible futures, augmented bodies, unreal architectures, identities in metamorphosis. Photography, retouching and digital creation meet there to invent stories between anticipation, dream and science fiction.
Modern The present as stage: direct, graphic, free and multiple. Contemporary creations fed by fashion, cinema, design and portraiture. A more immediate photography, built with the same care for light, presence and composition.
5 · A free Public Collection
325 photographs chosen from my archive, gathered in ten rooms, with open access and no account creation.
These are exactly the ten rooms of the Reserve. So you can calmly discover the shape of my work before going further.
6 · The big change: patrons receive my sessions fresh
This is the one closest to my heart.
Until now, I held back my publications: a session took months to reach the site. I have decided to stop. Patrons keep this place alive; they deserve to see my work at the moment it is born.
The site is now updated continuously. Each new session joins the Reserve as soon as it is retouched.
To catch up, I added 5,000 photographs. As of 22 July 2026, everything I have photographed since my beginnings is on this site. Everything.
7 · The four ways to visit
The Public Collection — 325 photographs, open access The exhibition ticket — €19, the four current exhibitions, seven days The single ticket — €7, one exhibition, seven days The Patrons’ Circle — €180, three months, the entire Reserve and all the exhibitions
8 · Stricter registration
Creating an account now requires a few extra checks. France has tightened the rules governing access to adult content, and I am fully complying.
It adds a minute to registration. In exchange, this place stays what it is: an adult space, openly owned, where everyone enters knowing what they are getting into. These few seconds protect the freedom of everything else.
Thanks for your understanding.
Thank you to those who have kept this work alive for years. This transformed site is yours too.
Enjoy your visit, and take the time to look.
Yohann
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