How to visit Yes Photographies?
Several paths through a growing archive
Yes Photographies brings together tens of thousands of photographs. I have organised different routes to explore this archive: discover a few images, follow the exhibitions, browse the Reserve, find your favourites again or leave room for chance. Choose whatever suits your mood.


1 — The Public Collection
To discover Yes Photographies
The Public Collection brings together 325 photographs, gathered in ten rooms. The visit is free once you have created an account.
Here I present an overview of my work: the body, myths, memory, emotions and imaginary worlds. Patrons can continue the visit in the Reserve, where these same rooms open in full.

2 — Temporary Exhibitions
To come back regularly
I compose themed exhibitions, usually around sixty photographs. I bring images together around an idea or a story: a couple in Venice, fairies, autumn, a metamorphosis or a recent session.
Four strands guide these selections:
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Visual Narratives gathers fictions, transformations, characters and staged scenes.
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Free Women explores the body as form, presence and language.
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Embodied Intimacies approaches sensuality, closeness and desire.
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What’s New in the Studio presents recent work.
Each exhibition can be visited without knowing how the archive is organised. Patrons have access to all the exhibitions.
3 — The Reserve
To explore the archive
The Reserve is for patrons and for visitors who want to go through my work more widely. It brings together the bulk of the archive in several large worlds:
Modern and Future · Emotions and Connections · Echo of the Past · Myths and Legends · Body and Essence · Eroticism and Sensuality · High-Definition Galleries · Archives · Studio Immersions
Each world contains many galleries. Studio Immersions gives sessions a place of their own, with thousands of selected and retouched images.
Several tools help you find your way around the whole.


Exploring the large galleries: rooms of 100 photographs
Some galleries hold several hundred images, sometimes more than a thousand. To lighten their display, they are divided into successive rooms:
1 to 100 · 101 to 200 · 201 to 300…
You can move from one room to the next or pick up the visit later.
Building your personal collection
When you open certain photographs, you can add them to your Personal Collection. This selection is linked to your Yes Photographies account and stays available across your visits.
You can view it, remove images or add to it. A way of gradually composing your own Yes Photographies inside mine.


The latest additions: the What’s New page
I add photographs to the galleries and new series to the Reserve. The What’s New page lets you find these additions.
Each time a gallery is enriched, the site automatically records its world, the number of new photographs, an image of the new addition and a link to the gallery. That way you can go straight to the recent images.
Not sure where to go?
Let Surprise Me choose a gallery for you. The site suggests a destination you might not have opened of your own accord.



Your Exploration: find your way back through the Reserve
For logged-in patrons, the site remembers the galleries visited. This history is tied to the account and stays available when you return. The Your Exploration page offers three functions.
Resume your exploration
Find the last gallery visited by its name, its world and a photograph that helps you recognise it.
Your latest visits
See the galleries browsed recently.
A few paths to discover
Discover suggestions of galleries your account has not yet opened. They change to offer other directions through the archive.
Visit a few galleries to find your saved route afterwards.
Where to start?
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For a first visit, open the Public Collection.
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To come back from time to time, look at the temporary exhibitions.
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If you are a patron, explore the Reserve.
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To see the latest additions, open What’s New.
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To find your route again, go to Your Exploration.
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To leave room for chance, choose Surprise Me.
Enjoy your visit
I keep adding images, organising the archives, and creating exhibitions and tools for exploring this archive. Take your time looking, find your favourite photographs again or try another path.
Yohann


